| Scott Snibbe | |
|---|---|
Scott Snibbe at MIT Media Lab (2009) |
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| Born | August 20, 1969 New York City |
| Nationality | American |
| Field | New Media |
| Training | Brown University, Rhode Island School of Design |
| Movement | Interactive Art |
Scott Snibbe (born 1969 in New York City) is an interactive media artist, researcher, and entrepreneur. He is one of the first artists to work with projector-based interactivity, where a computer-controlled projection onto a wall or floor changes in response to people moving across its surface, with his well-known full-body interactive work Boundary Functions (1998), premiering at Ars Electronica 1998.[1] In this floor-projected interactive artwork, people walk across a four-meter by four-meter floor. As they move, Boundary Functions uses a camera, computer and projector to draw lines between all of the people on the floor, forming a Voronoi Diagram. This diagram has particularly strong significance when drawn around people's bodies, surrounding each person with lines that outline his or her personal space - the space closer to that person than to anyone else. Snibbe states that this work "shows that personal space, though we call it our own, is only defined by others and changes without our control".[2]
Snibbe has recently become more broadly known for creating some of the first interactive art apps for iOS devices (iPhone, iPad, and iPod Touch). His first three apps—Gravilux, Bubble Harp, and Antograph—released in May, 2010 as ports of screen-based artwork from the 1990s Dynamic Systems Series, all rose into the top ten in the iTunes Store's Entertainment section, and have been downloaded over 400,000 times.[3] Snibbe collaborated with Björk to produce Biophilia, the first full-length app album, which will be released for iPad and iPhone in 2011.[4]
Snibbe received undergraduate and masters degrees in computer science and fine art from Brown University, where he studied with Dr. Andries van Dam and Dr. John Hughes. Snibbe studied animation at the Rhode Island School of Design with Amy Kravitz. After making several hand-drawn animated shorts, he turned to interactive art as his primary artistic medium. His first public interactive work, Motion Phone won an award from Prix Ars Electronica in 1996 and established him as a contributor to the field.[5]
Snibbe's work has been shown at the Whitney Museum of American Art (New York), San Francisco Museum of Modern Art (California), The Kitchen (New York), Eyebeam (New York), the NTT InterCommunication Center (Tokyo, Japan) and the Institute of Contemporary Arts (London, UK). His work is also shown and collected by science museums, including the Exploratorium (San Francisco, CA), the New York Hall of Science (Queens, NY), the Museum of Science and Industry (Chicago, IL), the Cité des Sciences et de l'Industrie (Paris, France), the London Science Museum (UK), and the Phaeno Science Center (Germany).
He has received grants from the Rockefeller Foundation the National Endowment for the Arts, National Video Resources and awards from the Prix Ars Electronica Festival, the Stuttgart Trickfilm-Festival, the Black Mariah Film Festival, and the Student Academy Awards.
Snibbe has taught media art, animation, and computer science at UC Berkeley, California Institute of the Arts, and the San Francisco Art Institute. He worked as a Computer Scientist at Adobe Systems from 1994–1996, on the special effects and animation software Adobe After Effects, named on six patents for work in animation, interface, and motion tracking. He was an employee at Interval Research from 1996-2000 where he worked on Computer Vision, Computer Graphics and Haptics research projects, also receiving several patents in those fields.
Snibbe is the founder of Snibbe Interactive, which distributes and develops immersive interactive experiences for use in museums, entertainment and branding; Scott Snibbe Studio which produces original apps and apps made in collaboration with other musicians and filmmakers; and the nonprofit research organization Sona Research, which researches the socially beneficial applications of interactive technologies. In 2009, Snibbe presented Sona Research's first research paper "Social Immersive Media" at the CHI 2009 conference,[7] coining the term Social Immersive Media to describe interface techniques to create effective immersive interactive experiences focused on social interaction, and winning the best paper of conference award.
Contents |
Interactive Art for the Screen
iPhone and iPad Apps
Interactive Projections
Elecromechanical Sculpture
Internet Art
Public Art Installations
Performance
Film